They also updated the scripting and added some humanization/dynamic functions that allow for more realistic playing. This is a vast improvement from previous versions, and the controls seem вЂњsimplerвЂќ if that makes any sense.Д®verything you need, nothing you donвЂ™t, however you can go as deep as you want if you feel the need to. They also gave each вЂњcollectionвЂќ of instruments a new interface, as well as adding a brand new choir collection, all the sounds from their Elektrik Piano instrument, some solo strings from Vienna, a collection of mellotron sounds in the vintage collection, and other gooodies.Д®ach one is a nice visual representation of the collections contents.Д«ut it is also functional, allowing you to access all your desired parameters It gives you a familiar interface for sound browsing across their entire range of instruments, they are not stupid, they know what they are doingвЂ¦.I smell a take overвЂ¦.hmmmвЂ¦.wonder if there are any subliminal messages hidden in the navigation and interface of their programs!

I like it, itвЂ™s simple, itвЂ™s easy, and you really donвЂ™t have to use the library browser for their internal sounds.

You can also bring in and tag your own sounds for use in their database if youвЂ™re feel adventurous. Yes, this categorizes all the tons of sounds in kontakt 4, making it easy to find what you want in their library. Kore like browsing interface is now standard in pretty much every native instrument programвЂ¦maybe with the exception of battery 3 The reasons I love kontakt 4 even more than the previous versionвЂ¦ I already told you why I love kontakt 3.5, but I also told you I would follow up with a video showing some of the new features in Kontakt 4 when NI sent it over for review.

Kontakt 4 tutorial